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Ranked #10

Astier de Villatte

Handmade Parisian ceramics with poetic compositions

4.6out of 5

Milky white handmade ceramic vessels from a Parisian studio that has been throwing pots since 1996. The scents are named after places, and the vessels are the closest thing to a small sculpture on this list.

Astier de Villatte style white glazed ceramic candle on a Parisian marble table

The Astier de Villatte review

Ivan Pericoli and Benoît Astier de Villatte founded their studio in 1996, working in black terracotta finished with a distinctive milky white glaze. Every piece is made by hand in Paris, and the slight warping, the visible glaze pooling and the uneven rim are the point rather than a defect. No two vessels are the same.

The fragrances read like a travel diary. Grand Chalet evokes an alpine wooden house, Delhi is smoky and spiced, Nara is cedar and incense. Compositions are developed in collaboration with perfumers and are considerably more atmospheric and less commercial than the mainstream houses attempt.

The burn is the weakest technical aspect here: the wide, shallow ceramic form does not always produce a full melt pool on a short burn, so these need patience and long sessions. And the price is high for the wax volume. What you are actually buying is a handmade Parisian ceramic that happens to arrive full of scented wax, and on those terms it is excellent value.

Signature scents

  • Grand Chalet
  • Delhi
  • Nara
  • Aoyama
  • Colette

The verdict

What we like

  • Genuinely handmade ceramics, each one unique
  • Atmospheric, travel-inspired compositions
  • The vessel is a keepsake object in its own right
  • Made in Paris in a small studio
  • Refill candles are available separately

Worth knowing

  • Wide shallow form can tunnel on short burns
  • High price for the wax volume supplied
  • Fragile glaze chips if knocked

Common Questions

Astier de Villatte FAQs

Why is each Astier de Villatte vessel slightly different?

Every piece is hand-thrown and hand-glazed in the studio’s Paris workshop, so warping, glaze pooling and rim variation are inherent to the process.

How do you avoid tunnelling in a wide ceramic candle?

Give the first burn at least four hours so the melt pool reaches the rim, and avoid burns shorter than two hours after that.